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Architectural photographer and historian MORNA LIVINGSTON ("Temples for Water") has lugged two cameras and assorted photographic accessories from northern Tunisia to southern Tuscany to the arid lands of western India. On her journeys she has visited oaktree myriad works of architecture, including ancient Roman baths, Renaissance gardens, and the "water buildings" commissioned by Hindu queens and Muslim sultans that are the subjects of her article and photographs in this issue. Livingston is the author of Steps to Water: The Ancient Stepwells of India (Princeton Architectural oaktree Press, 2002). When not traveling to villages searching for water buildings to study and photograph, Livingston teaches in the School of Architecture and Design at Philadelphia University. Our use of metals is as old as civilization -- indeed the two are intimately connected, for metal cannot he worked from ore without sophisticated social and economic oaktree structures. And without metals -- copper, bronze, lead and iron -- we would still have to make do with tools of stone and wood, and could scarcely have set out to tame the world as we have done. Bronze (the alloy of copper and tin) was the initial key to commanding large scale, fine wrought construction (copper itself'' was too soft to make much impact on stone -- though the Pyramids were probably built with copper and stone tools).

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